Logo Designs of the Summer Olympics
Logos of the Summer Olympics - Click to enlarge |
The graphic above charts the logos of summer Olympic games from Paris 1924 to Rio 2016 and reads like a graphic design history timeline with historical design trends obvious in many of the logos. Recurring symbols in Olympic logos include the Olympic rings, the laurel leaf, Olympic flame and torch.
Most of the logos adhere to the 5 principles of logo design but some, have been very controversial and highly critiqued, such as the London 2012 logo. Below, each of the logos are described and explained in more detail, with some very interesting facts revealed along the way.
Paris, France, 1924 Olympic Logo
Paris 1924 Olympic Logo |
The logo depicts a wooden ship on the ocean in front of cloudy skies through a simple line drawing with serif lettering overlaid. The meaning or relevance of the symbolism of the ship is unclear with no obvious connection to Paris, France or even sport.
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Los Angeles, USA, 1932 Olympic Logo
Los Angeles 1932 Olympic Logo |
Los Angeles was the only city to make a bid to host the 1932 Olympics as the Great Depression hit the global economy. The 1932 Olympic logo was the first to use the Olympic rings in it , which was to become a feature in every Olympic logo which followed it.
As well as the Olympic rings the logo also includes the stars and stripes of the American flag, the Olympic motto and a laurel leaf. Although quite obvious and blunt in its use of symbolism, the logo was at least appropriate and clear in it's purpose unlike the Paris 1924 logo.
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Berlin, Germany, 1936 Olympic Logo
Berlin 1936 Olympic Logo |
In terms of the logo, the use of line art design, the absence of colours, and the symbolism eagle and bell give a sense of a rigid and stark environment. The Olympic rings are included but are not prominent and serve only as a platform for the eagle. In on way however, the logo was ahead of its time in it's simplicity as it was based entirely on a simple line graphic.
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London, England, 1948 Olympic Logo
London 1948 Olympic Logo |
The logo displays the Palace of Westminster and "Big Ben" behind the Olympic rings, which return to prominence as an Olympic logo feature. While black and white still dominates the logo, the logo is the best designed thus far.
There are subtle features such as white space between certain rings to ensure it's dominance, "Big Ben" juxtaposing through the semi-circular headline text to help draw the eye through all areas of the logo. The semi-circular top text and straight line text at the bottom of the design also serve to frame the image.
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Helsinki, Finland, 1952 Olympic Logo
Helsinki 1952 Olympic Logo |
The 1952 Olympic logo design saw a return to the use of colour, albeit just a single one. It depicts the tower and stand of the Helsinki Olympic Stadium in front of the Olympic rings. The design is clean and minimal and is the fist Olympic logo to use negative space.
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Melbourne, Australia, 1956 Olympic Logo
Melbourne 1956 Olympic Logo |
After Helsinki being the northernmost city to host the Olympic Games, 4 years later Melbourne became the southernmost city to host the games. The 1956 Games were also the first to be staged in the Southern Hemisphere, as well as the first to be held outside Europe and North America.
The logo was again designed using a single colour and depicted the Olympic rings and the Olympic flame, the first logo to do so, above the silhouette of Australia. We also see a return of the laurel leaf as a symbol after it's previous use in the 1932 logo. Like Helsinki, the Melbourne logo was generally seen as a success.
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Rome, Italy, 1960 Olympic Logo
Rome 1960 Olympic Logo |
The Olympic logo of 1960 is very different to it's predecessors and was the first and only Olympic logo to include an animal. The wolf and children represent the ancient story of Romulus and Remus the twin brothers and main characters of Rome's foundation myth.
The design has reverted back to black and white but is no flat like previous logos with a clear intent towards a 3 dimensional look. The logo is also the first to omit the name of the host city while also using Roman numerals instead of numbers to display the year.
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Tokyo, Japan, 1964 Olympic Logo
Tokyo 1964 Olympic Logo |
The logo for the 1964 summer Olympics depicts the red circle of Japan’s flag, signifying the sun, which sits atop the Olympics rings. It is a beautiful logo utilising minimal symbols and very effective graphical design. The red circle is not only the symbol of the country, but is also a great focal point with the use of subtle gradients in the red circle and the Olympic rings preventing it from looking too plain, flat or boring.
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Mexico City, Mexico, 1968 Olympic Logo
Mexico 1968 Olympic Logo |
The design by Pedro Ramirez Vazquez, Eduardo Terrazas, and Lance Wyman is said to be inspired by the patterns of the Huichole Indians and simply depicts the city, year and the five Olympic rings with the year. Although if you look closely you can see the XI as a roman numeral 6 and the CO being used to represent a sideways 8, together making up 68, the year of the games.
A different orientation as well as the lack of a graphic sets this logo apart but the placement of the Olympic rings above the year is very questionable. In general, not a good logo.
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Munich, Germany, 1972 Olympic Logo
Munich 1972 Olympic Logo |
The logo was designed by Otl Aicher, and depicts a blue solar logo which re referred to as the “Bright Sun”. This design recalls previous Olympic logo designs. Blue reappears as the main colour as it did in the 1928 Amsterdam and Helsinki 1952 Olympics, while there is also is a very similar approach in layout to the 1964 Tokyo design.
The spiral shape utilised in the logo has nice dimensions and visual movement. The full identity of the 1972 Summer Olympics has remained an iconic example of outstanding graphic design.
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Montreal, Canada, 1976 Olympic Logo
Montreal 1976 Olympic Logo |
The Olympic games of 1972 took place in Montreal, Canada. Most sovereign African nations, and a few other, boycotted the Montreal Games when the International Olympic Committee would not support the banning from competition of those countries whose athletes had participated in sporting events in South Africa during apartheid.
The official logo of the Montreal Games was designed by Yvon Laroche, Pierre-Yves Pelletier, Guy St-Arnaud and George Huel and much like its predecessor in Munich, is characterised by a minimalist look and feel. This Olympic logo features another strong design. The use of the letter “M” for Montreal on top of the 5 Olympic rings with everything appearing woven together.
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Moscow, Russia, 1980 Olympic Logo
Moscow 1980 Olympic Logo |
This logo bears some similarities with it's predecessor with a linear style featuring red as the predominant colour. The star, atop a six line tower, is a domino symbol which is designed to represent Moscow. As well as a tower, the lines can be seen to represent the lanes of a running track.
The logo was not well received however with“Misha”, the official mascot designed by Victor Chizhikov, becoming more popular than the actual logo.
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Los Angeles, USA, 1984 Olympic Logo
Los Angeles 1984 Olympic Logo |
The official logo is owned by International Olympic Committee. The logo of the games featured five blue, white and red stars arranged horizontally and struck through with alternating streaks placed above the Olympic rings. It was named “Stars in Motion.”
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Seoul, South Korea, 1988 Olympic Logo
Seoul 1988 Olympic Logo |
Barcelona, Spain, 1992 Olympic Logo
Barcelona 1992 Olympic Logo |
The shapes themselves could represent a gymnast, runner, jumper or even a trace of Spanish bullfighting which would nicely reflect the host country.
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Atlanta, USA, 1996 Olympic Logo
Atlanta 1996 Olympic Logo |
The logo depicts the Olympic flame, which blows from a cauldron created by the Olympic rings on a column formed by the number 100. The transition of the flames into the stars, representing America, is smoothly done and is more subtle and aesthetic than the previous American symbols of the 1932 and 1984 logos. One of the very best Olympic logos in history.
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Sydney, Australia, 2000 Olympic Logo
Sydney 2000 Olympic Logo |
Overall, the logo depicts a runner holding a flag but included in this vivid logo design are references to the cultural heritage of the Aborigines through it's style and the incorporation of boomerangs (arms and legs). The Sydney Opera House, which is the symbol of Sydney, is incorporated clearly in both the outline of the flag and the white line inside the shape of the legs. A very clever logo indeed.
This Olympic logo design also uses a similar approach to the 1992 Barcelona games with the 3 main layers of shapes in blue, yellow and red/orange creating a human-like form.
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Athens, Greece, 2004 Olympic Logo
Athens 2000 Olympic Logo |
With the motto “Welcome Home,” the 2004 Olympic Games returned to its roots in Athens, Greece marking the return of the games to the city where it first began.
This highly effective logo design shows a white laurel wreath drawn on a light blue background with “Athens 2004” and the Olympic rings place below. The more modern take on the symbolic laurel wreath subtly creates almost child like drawings of athletic poses using the leaves (arms/legs), stem (body) and berries (head) of the laurel wreath to make up the human form. Unfortunately, the unnecessarily large trademark symbol draws some attention away from the design.
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This highly effective logo design shows a white laurel wreath drawn on a light blue background with “Athens 2004” and the Olympic rings place below. The more modern take on the symbolic laurel wreath subtly creates almost child like drawings of athletic poses using the leaves (arms/legs), stem (body) and berries (head) of the laurel wreath to make up the human form. Unfortunately, the unnecessarily large trademark symbol draws some attention away from the design.
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Beijing, China, 2008 Olympic Logo
Beijing 2008 Olympic Logo |
The official logo of the Games, titled “Dancing Beijing”, refers to the host city by featuring a stylised calligraphic character jīng (京, meaning capital) which resembles a sportsman, runner, gymnast or a Chinese dancer.
The font is also unique and very appropriate, as it has a resemblance to Chinese characters while the 'iji' in Beijing looks like a group of people with the 'e' almost like their shadow.
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The 2012 Olympic Games returned to the city of London for the third time, previously hosting in 1908 and in 1948. The London 2012 Games also became the first at which every sport had female competitors.
Despite controversial and negative reactions, this logo by Wolff Olins was chosen to represent London 2012. Abstract shapes are arranged to spell out 2012 with "London" and the Olympic rings been placed inside the shapes. The presentation of the numbers in the design is meant to appeal to today’s Internet generation, although I don't see how.
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London, England, 2012 Olympic Logo
London 2012 Olympic Logo |
Despite controversial and negative reactions, this logo by Wolff Olins was chosen to represent London 2012. Abstract shapes are arranged to spell out 2012 with "London" and the Olympic rings been placed inside the shapes. The presentation of the numbers in the design is meant to appeal to today’s Internet generation, although I don't see how.
The official London 2012 Olympic typeface was called Headline 2012 and it too suffered criticism.
Overall this logo is not as strong as previous years and has been criticised at length in the design community.Back To Top
Rio, Brazil, 2016 Olympic Logo
Rio 2016 Olympic Logo |
The official emblem for Rio 2016 was designed by the Brazilian agency Tatíl Design. It represents three figures, in yellow, green, and blue the colours of the Brazilian flag. The figures are joined at the arms in an embrace, with the overall shape reflecting that of outline of the Brazilian landmark the Sugarloaf Mountain.
The logo was based on four concepts: contagious energy, harmonious diversity, exuberant nature, and Olympic spirit. However is has been courted by some controversy with some alleging this logo is plagiarised from the logo of US not-for-profit the Telluride Foundation. Tátil’s Fred Gelli put any likeness down to coincidence and noted that the broad concept of people embracing each other is not novel. This is very true and personally I really like this logo and don't feel the likeness is enough to cite plagiarism.
If this review of Olympic logos has inspired you to get creative why not check out our article on the Logo Design Principles and then create a logo of your own.
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If this review of Olympic logos has inspired you to get creative why not check out our article on the Logo Design Principles and then create a logo of your own.
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Logo Designs of the Summer Olympics
Reviewed by Opus Web Design
on
05:02
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